ProgettoUstica_Soundtrack PC

Marianna Murgia crafts the soundtrack for Progetto Ustica with tracks like "Song for Ustica," "Inside DC9," and "On the MIG 23." She draws on her training in jazz singing, electronic music, and interactive sound design from top conservatories and schools. The score features Eighties synths such as the Minimoog and Roland Jupiter series to evoke a retro atmosphere. This indie simulation audio experience stems from TriBit Studio's work on sound-driven projects, including a Western blind game that relies solely on audio events and precise spatialization. Players engage through immersive soundscapes tied to aviation and radar motifs. Audio enthusiasts and simulation fans who prioritize sonic depth will connect with its focused design.

Soundtrack list:

• 01 Song for Ustica

• 02 Inside DC9 (part one)

• 03 A Shadow

• 04 Radar (part one)

• 05 On the MIG 23

• 06 Radar (part two)

• 07 Two expert aviators

• 08 Inside DC9 (part two)

• 09 The fisherman boat

• 10 Breathless

• 11 Lacrimosa

Made by Marianna Murgia

Marianna Murgia is a composer and sound designer.
She studied jazz singing and electronic music at Conservatory “G.B. Martini” of Bologna and “Interactive Music Technician for the Digital Arts” at the APM school of Saluzzo (CN).
She realized the music and sound effects of Gran Sasso Videogame and composed as well the soundtrack of various theatrical performances such as The Lamb of God and Simu’e Puarcu by Angelo Colosimo and Digito Ergo Sum by Ulduz Ashram Gandomi and Cecilia Lorenzetti.
With Andrea D’Angelo and Damiano Coppola she founded TriBit Studio and they are currently working on the creation of a Western style blind game: a game without graphic whose mechanics are exclusively based on sound events and on an accurate sound spatialization.

In the soundtrack of PROGETTO USTICA the use of instruments that were extremely popular in the Eighties (like the Minimoog and the Jupiter series from Roland) is meant to create a mood that takes the player back in time.